Kirk Franklin - Hold Me Now
Nothing that’s worthwhile is ever easy. Remember that.




I don’t have any dream roles, but I have dream shows, and The Light in the Piazza is one of them. It has a beautiful score written by Adam Guettel. If you come across a copy of the performance at the Beaumont at the Lincoln Center Theater (I think CBS produced it), watch it.
(Trivia: Adam Guettel is the son of Mary Rodgers, and is the grandson of Richard Rodgers of Rodgers & Hammerstein. His mentor was family friend Stephen Sondheim.)
I’m through accepting limits
‘cause someone says they’re so.
Some things I cannot change,
but ‘til I try, I’ll never know.
Muse - Starlight
Far away
This ship has taken me far away
Far away from the memories
Of the people who care if I live or die
Starlight
I will be chasing a starlight
Until the end of my life
I don’t know if it’s worth it anymore
Hold you in my arms
I just wanted to hold you in my arms
My life
You electrify my life
Let’s conspire to ignite
All the souls that would die just to feel alive
I’ll never let you go
If you promise not to fade away
Never fade away
Our hopes and expectations
Black holes and revelations
Our hopes and expectations
Black holes and revelations
Hold you in my arms
I just wanted to hold you in my arms
Far away
This ship has taken me far away
Far away from the memories
Of the people who care if I live or die
I’ll never let you go
If you promise not to fade away
Never fade away
Our hopes and expectations
Black holes and revelations
Our hopes and expectations
Black holes and revelations
Hold you in my arms
I just wanted to hold you in my arms
I just wanted to hold
Part III


Ketsana/Ondoy, September 30th. In the wake of having one of our shows cancelled because of typhoon Ketsana/Ondoy, some of us volunteered for a couple days at La Salle Zobel to help pack stuff they were gonna send out to the victims. Look at these gems of photos I found!
Who knew puzzles needed to be sharpened?
And a box of women’s toes??? I gotta get me some of that!

A week before we opened, we all went to a place in Batangas to do a re-run of Rapunzel. The school we did it for didn’t fail to give us awesome accommodations. This was the view from the hallway outside our hotel room.

This is Paolo, who played Black Dog and George Merry. Obviously, I took the role of Black Dog when I wasn’t being Jim Hawkins and he was being Merry. People seem to think we look somewhat alike. We share the same height, and at one point in the past half year, we had almost the same hair cut.
There is no shortage of post-show moments when Paolo comes up to me and tells me, “People kept calling me Daryl back there.” If he doesn’t do it, one of the 20-plus-strong cast does it for him.
Part II
As soon as we finished watching Pirate-related movies and reading through the script for weeks, we started free-blocking the show in a rehearsal hall.
Free blocking means that the actors determine how and when they’re going to move (block) themselves throughout the entire show. Unless the director (Michael, in this case) specifically states where the characters should start or end up in a scene, these movements remain the character’s/actor’s prerogative, taking the cue from progressions in events or emotions in a scene. For a script like Treasure Island, which had specific movements in it, we took direction from written directives, employed some free blocking, and followed Michael’s vision of the scenes.
The pictures below were taken on July 30th, a couple weeks into the rehearsal process. We were going through the scene in the Admiral Benbow Inn, where Billy Bones hands Jim Hawkins the map and Black Dog, Pew, and their henchmen storm in shortly after.



(Top: Preliminary blocking. Billy Bones hands Jim Hawkins the map of Skeleton Island. John, who plays Pew, waits in the background with Paolo (Black Dog) for their cue. Middle: Our director, Michael, gives Joey (Billy Bones) some tips for his character’s death scene. Bottom: Final blocking. The people in the inn talk about Skeleton Island, while the actors who play Pew, Black Dog, and their henchmen lurk outside.)

The T.I. set pieces about to be set up on the stage for the first time. The wheel had yet to be painted and texturized at that point.








